{"id":1168,"date":"2020-11-04T15:47:27","date_gmt":"2020-11-04T07:47:27","guid":{"rendered":"https:\/\/aolait.com\/?p=1168"},"modified":"2020-11-04T15:47:28","modified_gmt":"2020-11-04T07:47:28","slug":"the-skills-of-stage-lighting-and-music","status":"publish","type":"post","link":"https:\/\/aolait.com\/es\/las-tecnicas-de-la-iluminacion-escenica-y-la-musica\/","title":{"rendered":"Las habilidades de la iluminaci\u00f3n esc\u00e9nica y la m\u00fasica"},"content":{"rendered":"

Whether it is a large-scale concert, variety show, or a small-scale music party, the use of lighting effects to render the atmosphere, highlight the concept of music expression, create on-site effects, has an irreplaceable role, and now there are many types of effect lamps, except for traditional bobbin lights and back lights. Lights, spotlights, and effect lights include par lights, color-changing wash lights, moving head lights, sky roses, laser lights, etc. In the face of such a wide variety of lamps, how should lighting designers use them reasonably to express their ideal lighting The effect? The effect of lighting design depends on the designer’s imagination. First of all, it is possible to realize the effect only by thinking of it. The foundation of imagination is the understanding of music, because music is the basis and purpose of lighting effect design, that is, lighting effects are to better set off the music atmosphere and express the music concept, then we will talk about how to use lighting to express and Set off the music.<\/p>\n\n\n\n

\"14322695<\/figure>\n\n\n\n

Como el estado de \u00e1nimo de la m\u00fasica tiene colores, como la m\u00fasica c\u00e1lida y apasionada, entonces la iluminaci\u00f3n utiliza colores c\u00e1lidos, que pueden ser rojos, amarillos, etc., mientras que la m\u00fasica menor puede utilizar colores azules y fr\u00edos. Esto es f\u00e1cil de entender, es decir, la sinestesia del arte, la expresi\u00f3n de la misma cosa, diferentes categor\u00edas de arte son s\u00f3lo diferentes expresiones, y los sentimientos expresados son los mismos. Con la comprensi\u00f3n y la comprensi\u00f3n del estado de \u00e1nimo de la m\u00fasica, primero podemos determinar el tono general de la luz, \u00bfqu\u00e9 tipo de m\u00fasica y qu\u00e9 tono de color de la luz.<\/p>\n\n\n\n

Esto es lo que solemos llamar la coproducci\u00f3n de luz y m\u00fasica, pero \u00bfc\u00f3mo funciona todo junto? En primer lugar, hay que saber si el comp\u00e1s de la m\u00fasica es cuatro, tres, ochenta y seis, etc., y entender el comp\u00e1s ascendente y descendente. Puedes utilizar diferentes colores de luz y la intensidad de la luz para que coincida con el ritmo de la m\u00fasica. Si la m\u00fasica es r\u00e1pida, la iluminaci\u00f3n no tiene por qu\u00e9 coincidir con todos los tiempos, puedes ignorar los tiempos d\u00e9biles y reflejar s\u00f3lo los fuertes. El resto de la m\u00fasica puede reflejarse en el campo oscuro. Podemos utilizar el valor temporal, la intensidad, el color y la categor\u00eda de la luz para reflejar los cambios de duraci\u00f3n, intensidad, tono y timbre de la nota.<\/p>\n\n\n\n

\"Vitrina
Vitrina Aolait<\/figcaption><\/figure>\n\n\n\n

We divide the structure of the light into physical structure and non-physical structure. Lighting designers often divide bobbin lights, return lights, computer lights, and color changing lights into several levels in different combinations to form a three-dimensional lighting effect. This is the light. The physical structure (spatial structure); what is the non-physical structure of light? A piece of music is composed of prelude, interlude, main melody, sub-melody, etc. The lighting is also divided into different parts, combined with different lights, and different forms of changes to reflect different parts of the music. According to the needs of music rhythm and melody, we can first make some action change “tools” for the lighting, and then combine various parts of the music into different ways to express, and the different combinations of these lighting action changes constitute the lighting Non-physical structure. So we say that the structure of music determines the structure of the light is the non-physical structure of the light.<\/p>\n\n\n\n

El brillo en la m\u00fasica, el SOLO de un determinado instrumento es el punto culminante de una pieza de m\u00fasica, el efecto de iluminaci\u00f3n debe ser enfatizado y reflejado, por lo que en el dise\u00f1o del efecto de iluminaci\u00f3n, algunos cambios especiales de acci\u00f3n de iluminaci\u00f3n deben ser dispuestos de acuerdo a los detalles importantes especiales en la m\u00fasica. reflejar.<\/p>\n\n\n\n

En definitiva, el dise\u00f1o de la iluminaci\u00f3n de efectos debe basarse en la m\u00fasica, con el fin de reproducir su atm\u00f3sfera. Por lo tanto, los dise\u00f1adores de iluminaci\u00f3n deben conocer a fondo la estructura y el contenido de la m\u00fasica para poder dise\u00f1ar efectos de iluminaci\u00f3n satisfactorios.<\/p>","protected":false},"excerpt":{"rendered":"

La base de la imaginaci\u00f3n es la comprensi\u00f3n de la m\u00fasica, porque la m\u00fasica es la base y la finalidad del dise\u00f1o de los efectos de iluminaci\u00f3n, es decir, los efectos de iluminaci\u00f3n sirven para ambientar mejor la m\u00fasica y expresar el concepto musical.<\/p>","protected":false},"author":1,"featured_media":1172,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[104],"tags":[],"class_list":{"0":"post-1168","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-blog"},"acf":[],"_links":{"self":[{"href":"https:\/\/aolait.com\/es\/wp-json\/wp\/v2\/posts\/1168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aolait.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aolait.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aolait.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aolait.com\/es\/wp-json\/wp\/v2\/comments?post=1168"}],"version-history":[{"count":1,"href":"https:\/\/aolait.com\/es\/wp-json\/wp\/v2\/posts\/1168\/revisions"}],"predecessor-version":[{"id":1173,"href":"https:\/\/aolait.com\/es\/wp-json\/wp\/v2\/posts\/1168\/revisions\/1173"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aolait.com\/es\/wp-json\/wp\/v2\/media\/1172"}],"wp:attachment":[{"href":"https:\/\/aolait.com\/es\/wp-json\/wp\/v2\/media?parent=1168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aolait.com\/es\/wp-json\/wp\/v2\/categories?post=1168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aolait.com\/es\/wp-json\/wp\/v2\/tags?post=1168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}