{"id":1168,"date":"2020-11-04T15:47:27","date_gmt":"2020-11-04T07:47:27","guid":{"rendered":"https:\/\/aolait.com\/?p=1168"},"modified":"2020-11-04T15:47:28","modified_gmt":"2020-11-04T07:47:28","slug":"the-skills-of-stage-lighting-and-music","status":"publish","type":"post","link":"https:\/\/aolait.com\/fr\/les-competences-en-matiere-declairage-et-de-musique-de-scene\/","title":{"rendered":"Les comp\u00e9tences en mati\u00e8re d'\u00e9clairage de sc\u00e8ne et de musique"},"content":{"rendered":"

Whether it is a large-scale concert, variety show, or a small-scale music party, the use of lighting effects to render the atmosphere, highlight the concept of music expression, create on-site effects, has an irreplaceable role, and now there are many types of effect lamps, except for traditional bobbin lights and back lights. Lights, spotlights, and effect lights include par lights, color-changing wash lights, moving head lights, sky roses, laser lights, etc. In the face of such a wide variety of lamps, how should lighting designers use them reasonably to express their ideal lighting The effect? The effect of lighting design depends on the designer’s imagination. First of all, it is possible to realize the effect only by thinking of it. The foundation of imagination is the understanding of music, because music is the basis and purpose of lighting effect design, that is, lighting effects are to better set off the music atmosphere and express the music concept, then we will talk about how to use lighting to express and Set off the music.<\/p>\n\n\n\n

\"14322695<\/figure>\n\n\n\n

Parce que l'humeur de la musique a des couleurs, comme la musique chaude et passionn\u00e9e, l'\u00e9clairage utilise des couleurs chaudes, qui peuvent \u00eatre le rouge, le jaune, etc. C'est facile \u00e0 comprendre, c'est la synesth\u00e9sie de l'art, l'expression de la m\u00eame chose, les diff\u00e9rentes cat\u00e9gories d'art ne sont que des expressions diff\u00e9rentes, et les sentiments exprim\u00e9s sont les m\u00eames. En comprenant et en saisissant l'humeur de la musique, nous pouvons d'abord d\u00e9terminer le ton g\u00e9n\u00e9ral de la lumi\u00e8re, le type de musique et le ton de la couleur de la lumi\u00e8re.<\/p>\n\n\n\n

C'est ce que nous appelons habituellement la coproduction de la lumi\u00e8re et de la musique, mais comment cela fonctionne-t-il ensemble ? Tout d'abord, il faut savoir si le rythme de la musique est de quatre, trois, quatre-vingt-six, etc. et comprendre le temps fort et le temps faible. Vous pouvez utiliser diff\u00e9rentes couleurs de lumi\u00e8re et l'intensit\u00e9 de la lumi\u00e8re pour suivre le rythme de la musique. Si la musique est rapide, il n'est pas n\u00e9cessaire que l'\u00e9clairage corresponde \u00e0 chaque temps, vous pouvez ignorer les temps faibles et ne refl\u00e9ter que les temps forts. Le reste de la musique peut \u00eatre refl\u00e9t\u00e9 dans le champ sombre. Nous pouvons utiliser la valeur temporelle, l'intensit\u00e9, la couleur et la cat\u00e9gorie de la lumi\u00e8re pour refl\u00e9ter les changements de longueur, d'intensit\u00e9, de hauteur et de tonalit\u00e9 de la note.<\/p>\n\n\n\n

\"Vitrine
Vitrine Aolait<\/figcaption><\/figure>\n\n\n\n

We divide the structure of the light into physical structure and non-physical structure. Lighting designers often divide bobbin lights, return lights, computer lights, and color changing lights into several levels in different combinations to form a three-dimensional lighting effect. This is the light. The physical structure (spatial structure); what is the non-physical structure of light? A piece of music is composed of prelude, interlude, main melody, sub-melody, etc. The lighting is also divided into different parts, combined with different lights, and different forms of changes to reflect different parts of the music. According to the needs of music rhythm and melody, we can first make some action change “tools” for the lighting, and then combine various parts of the music into different ways to express, and the different combinations of these lighting action changes constitute the lighting Non-physical structure. So we say that the structure of music determines the structure of the light is the non-physical structure of the light.<\/p>\n\n\n\n

La brillance de la musique, le SOLO d'un certain instrument est le point fort d'un morceau de musique, l'effet de l'\u00e9clairage doit \u00eatre soulign\u00e9 et refl\u00e9t\u00e9, donc dans la conception de l'effet d'\u00e9clairage, certains changements d'action d'\u00e9clairage sp\u00e9ciaux doivent \u00eatre organis\u00e9s en fonction des d\u00e9tails importants de la musique. refl\u00e9ter.<\/p>\n\n\n\n

Dans l'ensemble, la conception d'un \u00e9clairage \u00e0 effets devrait \u00eatre bas\u00e9e sur la musique, dans le but de rendre l'atmosph\u00e8re de la musique. Par cons\u00e9quent, les concepteurs d'\u00e9clairage doivent avoir une compr\u00e9hension approfondie de la structure et du contenu de la musique afin de concevoir des effets d'\u00e9clairage satisfaisants.<\/p>","protected":false},"excerpt":{"rendered":"

Le fondement de l'imagination est la compr\u00e9hension de la musique, car la musique est la base et l'objectif de la conception des effets d'\u00e9clairage, c'est-\u00e0-dire que les effets d'\u00e9clairage doivent mieux mettre en valeur l'atmosph\u00e8re musicale et exprimer le concept musical.<\/p>","protected":false},"author":1,"featured_media":1172,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[104],"tags":[],"class_list":{"0":"post-1168","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-blog"},"acf":[],"_links":{"self":[{"href":"https:\/\/aolait.com\/fr\/wp-json\/wp\/v2\/posts\/1168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aolait.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aolait.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aolait.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aolait.com\/fr\/wp-json\/wp\/v2\/comments?post=1168"}],"version-history":[{"count":1,"href":"https:\/\/aolait.com\/fr\/wp-json\/wp\/v2\/posts\/1168\/revisions"}],"predecessor-version":[{"id":1173,"href":"https:\/\/aolait.com\/fr\/wp-json\/wp\/v2\/posts\/1168\/revisions\/1173"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aolait.com\/fr\/wp-json\/wp\/v2\/media\/1172"}],"wp:attachment":[{"href":"https:\/\/aolait.com\/fr\/wp-json\/wp\/v2\/media?parent=1168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aolait.com\/fr\/wp-json\/wp\/v2\/categories?post=1168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aolait.com\/fr\/wp-json\/wp\/v2\/tags?post=1168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}