{"id":1168,"date":"2020-11-04T15:47:27","date_gmt":"2020-11-04T07:47:27","guid":{"rendered":"https:\/\/aolait.com\/?p=1168"},"modified":"2020-11-04T15:47:28","modified_gmt":"2020-11-04T07:47:28","slug":"the-skills-of-stage-lighting-and-music","status":"publish","type":"post","link":"https:\/\/aolait.com\/pt\/os-conhecimentos-de-iluminacao-cenica-e-de-musica\/","title":{"rendered":"As compet\u00eancias em mat\u00e9ria de ilumina\u00e7\u00e3o de palco e de m\u00fasica"},"content":{"rendered":"

Whether it is a large-scale concert, variety show, or a small-scale music party, the use of lighting effects to render the atmosphere, highlight the concept of music expression, create on-site effects, has an irreplaceable role, and now there are many types of effect lamps, except for traditional bobbin lights and back lights. Lights, spotlights, and effect lights include par lights, color-changing wash lights, moving head lights, sky roses, laser lights, etc. In the face of such a wide variety of lamps, how should lighting designers use them reasonably to express their ideal lighting The effect? The effect of lighting design depends on the designer’s imagination. First of all, it is possible to realize the effect only by thinking of it. The foundation of imagination is the understanding of music, because music is the basis and purpose of lighting effect design, that is, lighting effects are to better set off the music atmosphere and express the music concept, then we will talk about how to use lighting to express and Set off the music.<\/p>\n\n\n\n

\"14322695<\/figure>\n\n\n\n

Porque o ambiente da m\u00fasica tem cores, como a m\u00fasica quente e apaixonada, ent\u00e3o a ilumina\u00e7\u00e3o utiliza cores quentes, que podem ser vermelhas, amarelas, etc., enquanto a m\u00fasica menor pode utilizar cores azuis e frias. Isto \u00e9 f\u00e1cil de compreender, ou seja, a sinestesia da arte, a express\u00e3o da mesma coisa, diferentes categorias de arte s\u00e3o apenas express\u00f5es diferentes, e os sentimentos expressos s\u00e3o os mesmos. Com a compreens\u00e3o e a compreens\u00e3o do estado de esp\u00edrito da m\u00fasica, podemos primeiro determinar o tom geral da luz, que tipo de m\u00fasica e que tom de cor de luz.<\/p>\n\n\n\n

Isto \u00e9 o que normalmente chamamos de coprodu\u00e7\u00e3o de luz e m\u00fasica, mas como \u00e9 que isto funciona em conjunto? Em primeiro lugar, \u00e9 necess\u00e1rio perceber se a batida da m\u00fasica \u00e9 quatro, tr\u00eas ou oitenta e seis, etc., e compreender a batida ascendente e descendente. Pode utilizar diferentes cores de luz e a intensidade da luz para corresponder ao ritmo da m\u00fasica. Se a m\u00fasica for r\u00e1pida, a ilumina\u00e7\u00e3o n\u00e3o tem de corresponder a cada batida, pode ignorar as batidas fracas e refletir apenas as batidas fortes. O resto da m\u00fasica pode ser refletido no campo escuro. Podemos utilizar o valor temporal, a intensidade, a cor e a categoria da luz para refletir as altera\u00e7\u00f5es na dura\u00e7\u00e3o, intensidade, tom e timbre da nota.<\/p>\n\n\n\n

\"Mala
Mala de exposi\u00e7\u00e3o Aolait<\/figcaption><\/figure>\n\n\n\n

We divide the structure of the light into physical structure and non-physical structure. Lighting designers often divide bobbin lights, return lights, computer lights, and color changing lights into several levels in different combinations to form a three-dimensional lighting effect. This is the light. The physical structure (spatial structure); what is the non-physical structure of light? A piece of music is composed of prelude, interlude, main melody, sub-melody, etc. The lighting is also divided into different parts, combined with different lights, and different forms of changes to reflect different parts of the music. According to the needs of music rhythm and melody, we can first make some action change “tools” for the lighting, and then combine various parts of the music into different ways to express, and the different combinations of these lighting action changes constitute the lighting Non-physical structure. So we say that the structure of music determines the structure of the light is the non-physical structure of the light.<\/p>\n\n\n\n

O brilho da m\u00fasica, o SOLO de um determinado instrumento \u00e9 o ponto alto de uma pe\u00e7a musical, o efeito de ilumina\u00e7\u00e3o deve ser real\u00e7ado e refletido, por isso, no design do efeito de ilumina\u00e7\u00e3o, algumas mudan\u00e7as especiais de a\u00e7\u00e3o de ilumina\u00e7\u00e3o devem ser organizadas de acordo com os detalhes especiais importantes da m\u00fasica.<\/p>\n\n\n\n

Em suma, a conce\u00e7\u00e3o da ilumina\u00e7\u00e3o de efeito deve basear-se na m\u00fasica, com o objetivo de reproduzir a atmosfera da m\u00fasica. Por conseguinte, os projectistas de ilumina\u00e7\u00e3o devem ter um conhecimento profundo da estrutura e do conte\u00fado da m\u00fasica para poderem conceber efeitos de ilumina\u00e7\u00e3o satisfat\u00f3rios.<\/p>","protected":false},"excerpt":{"rendered":"

A base da imagina\u00e7\u00e3o \u00e9 a compreens\u00e3o da m\u00fasica, porque a m\u00fasica \u00e9 a base e o objetivo da conce\u00e7\u00e3o dos efeitos de ilumina\u00e7\u00e3o, ou seja, os efeitos de ilumina\u00e7\u00e3o destinam-se a criar melhor a atmosfera musical e a exprimir o conceito musical.<\/p>","protected":false},"author":1,"featured_media":1172,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[104],"tags":[],"class_list":{"0":"post-1168","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-blog"},"acf":[],"_links":{"self":[{"href":"https:\/\/aolait.com\/pt\/wp-json\/wp\/v2\/posts\/1168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aolait.com\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aolait.com\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aolait.com\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aolait.com\/pt\/wp-json\/wp\/v2\/comments?post=1168"}],"version-history":[{"count":1,"href":"https:\/\/aolait.com\/pt\/wp-json\/wp\/v2\/posts\/1168\/revisions"}],"predecessor-version":[{"id":1173,"href":"https:\/\/aolait.com\/pt\/wp-json\/wp\/v2\/posts\/1168\/revisions\/1173"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aolait.com\/pt\/wp-json\/wp\/v2\/media\/1172"}],"wp:attachment":[{"href":"https:\/\/aolait.com\/pt\/wp-json\/wp\/v2\/media?parent=1168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aolait.com\/pt\/wp-json\/wp\/v2\/categories?post=1168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aolait.com\/pt\/wp-json\/wp\/v2\/tags?post=1168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}