{"id":1168,"date":"2020-11-04T15:47:27","date_gmt":"2020-11-04T07:47:27","guid":{"rendered":"https:\/\/aolait.com\/?p=1168"},"modified":"2020-11-04T15:47:28","modified_gmt":"2020-11-04T07:47:28","slug":"sahne-isiklandirmasi-ve-muzik-becerileri","status":"publish","type":"post","link":"https:\/\/aolait.com\/tr\/the-skills-of-stage-lighting-and-music\/","title":{"rendered":"Sahne \u0131\u015f\u0131kland\u0131rmas\u0131 ve m\u00fczik becerileri"},"content":{"rendered":"

B\u00fcy\u00fck \u00f6l\u00e7ekli bir konser, \u00e7e\u015fitli bir g\u00f6steri veya k\u00fc\u00e7\u00fck \u00f6l\u00e7ekli bir m\u00fczik partisi olsun, atmosferi olu\u015fturmak, m\u00fczik ifadesinin konseptini vurgulamak, yerinde etkiler yaratmak i\u00e7in \u0131\u015f\u0131k efektlerinin kullan\u0131m\u0131, yeri doldurulamaz bir role sahiptir ve \u015fimdi bir\u00e7ok t\u00fcrde efekt lambas\u0131 bulunmaktad\u0131r; geleneksel bobin lambalar\u0131 ve arka lambalar d\u0131\u015f\u0131nda. I\u015f\u0131klar, spot \u0131\u015f\u0131klar\u0131 ve efekt lambalar\u0131, par \u0131\u015f\u0131klar\u0131, renk de\u011fi\u015ftiren y\u0131kama \u0131\u015f\u0131klar\u0131, hareketli kafa \u0131\u015f\u0131klar\u0131, g\u00f6ky\u00fcz\u00fc g\u00fclleri, lazer \u0131\u015f\u0131klar\u0131 vb. gibi pek \u00e7ok t\u00fcr\u00fc i\u00e7erir. Bu kadar \u00e7e\u015fitli lambalar kar\u015f\u0131s\u0131nda, ayd\u0131nlatma tasar\u0131mc\u0131lar\u0131 bunlar\u0131 ideal ayd\u0131nlatma etkisini ifade etmek i\u00e7in nas\u0131l mant\u0131kl\u0131 bir \u015fekilde kullanmal\u0131? Ayd\u0131nlatma tasar\u0131m\u0131n\u0131n etkisi, tasar\u0131mc\u0131n\u0131n hayal g\u00fcc\u00fcne ba\u011fl\u0131d\u0131r. \u00d6ncelikle, etkiyi sadece d\u00fc\u015f\u00fcnerek ger\u00e7ekle\u015ftirmek m\u00fcmk\u00fcnd\u00fcr. Hayal g\u00fcc\u00fcn\u00fcn temeli m\u00fczik anlay\u0131\u015f\u0131d\u0131r, \u00e7\u00fcnk\u00fc m\u00fczik, ayd\u0131nlatma efekt tasar\u0131m\u0131n\u0131n dayana\u011f\u0131 ve amac\u0131d\u0131r; yani, ayd\u0131nlatma efektleri, m\u00fczik atmosferini daha iyi ortaya \u00e7\u0131karmak ve m\u00fczik konseptini ifade etmek i\u00e7indir. O halde, ayd\u0131nlatmay\u0131 nas\u0131l kullanaca\u011f\u0131m\u0131z\u0131 ve m\u00fczi\u011fi nas\u0131l ifade edece\u011fimizi konu\u015fal\u0131m.<\/p>\n\n\n\n

\"14322695<\/figure>\n\n\n\n

M\u00fczi\u011fin ruh hali s\u0131cak ve tutkulu m\u00fczik gibi renklere sahip oldu\u011fundan, ayd\u0131nlatma k\u0131rm\u0131z\u0131, sar\u0131 vb. s\u0131cak renkler kullan\u0131rken, min\u00f6r m\u00fczik mavi ve so\u011fuk renkler kullanabilir. Bunu anlamak kolayd\u0131r, yani sanat\u0131n sinestezisi, ayn\u0131 \u015feyin ifadesi, farkl\u0131 sanat kategorileri sadece farkl\u0131 ifadelerdir ve ifade edilen duygular ayn\u0131d\u0131r. M\u00fczi\u011fin ruh halini anlayarak ve kavrayarak, \u00f6nce \u0131\u015f\u0131\u011f\u0131n genel tonunu, ne t\u00fcr bir m\u00fczik ve hangi ton renk \u0131\u015f\u0131\u011f\u0131n\u0131 belirleyebiliriz.<\/p>\n\n\n\n

Buna genellikle \u0131\u015f\u0131k ve m\u00fczi\u011fin birlikte \u00fcretimi diyoruz ama birlikte nas\u0131l \u00e7al\u0131\u015f\u0131yor? \u00d6ncelikle m\u00fczi\u011fin ritminin d\u00f6rt m\u00fc, \u00fc\u00e7 m\u00fc, seksen alt\u0131 m\u0131 vb. oldu\u011funu anlaman\u0131z ve yukar\u0131 vuru\u015f ile a\u015fa\u011f\u0131 vuru\u015fu anlaman\u0131z gerekir. M\u00fczi\u011fin ritmine uymas\u0131 i\u00e7in farkl\u0131 \u0131\u015f\u0131k renkleri ve \u0131\u015f\u0131\u011f\u0131n yo\u011funlu\u011funu kullanabilirsiniz. M\u00fczik h\u0131zl\u0131ysa, \u0131\u015f\u0131\u011f\u0131n her vuru\u015fa uymas\u0131 gerekmez, zay\u0131f vuru\u015flar\u0131 g\u00f6rmezden gelebilir ve yaln\u0131zca g\u00fc\u00e7l\u00fc vuru\u015flar\u0131 yans\u0131tabilirsiniz. M\u00fczi\u011fin geri kalan\u0131 karanl\u0131k alana yans\u0131t\u0131labilir. Notan\u0131n uzunlu\u011fu, yo\u011funlu\u011fu, perdesi ve tonundaki de\u011fi\u015fiklikleri yans\u0131tmak i\u00e7in \u0131\u015f\u0131\u011f\u0131n zaman de\u011ferini, yo\u011funlu\u011funu, rengini ve kategorisini kullanabiliriz.<\/p>\n\n\n\n

\"Aolait
Aolait G\u00f6steri \u00c7antas\u0131<\/figcaption><\/figure>\n\n\n\n

I\u015f\u0131\u011f\u0131n yap\u0131s\u0131n\u0131 fiziksel yap\u0131 ve fiziksel olmayan yap\u0131 olarak ikiye ay\u0131r\u0131yoruz. Ayd\u0131nlatma tasar\u0131mc\u0131lar\u0131 genellikle bobin lambalar\u0131, geri d\u00f6n\u00fc\u015f lambalar\u0131, bilgisayarl\u0131 lambalar ve renk de\u011fi\u015ftiren lambalar\u0131, farkl\u0131 kombinasyonlarda birka\u00e7 seviyeye ay\u0131rarak \u00fc\u00e7 boyutlu ayd\u0131nlatma etkisi olu\u015ftururlar. Bu, \u0131\u015f\u0131\u011f\u0131n fiziksel yap\u0131s\u0131d\u0131r (mekansal yap\u0131); peki \u0131\u015f\u0131\u011f\u0131n fiziksel olmayan yap\u0131s\u0131 nedir? Bir m\u00fczik par\u00e7as\u0131, \u00f6n melodi, aral\u0131k, ana melodi, alt melodi vb. b\u00f6l\u00fcmlerden olu\u015fur. Ayd\u0131nlatma da farkl\u0131 par\u00e7alara ayr\u0131l\u0131r, farkl\u0131 lambalarla birle\u015ftirilir ve m\u00fczi\u011fin farkl\u0131 b\u00f6l\u00fcmlerini yans\u0131tmak i\u00e7in farkl\u0131 \u015fekillerde de\u011fi\u015fiklikler yap\u0131l\u0131r. M\u00fczik ritmi ve melodisinin ihtiya\u00e7lar\u0131na g\u00f6re, \u00f6nce ayd\u0131nlatma i\u00e7in baz\u0131 eylem de\u011fi\u015fiklikleri \u201cara\u00e7lar\u0131\u201d olu\u015fturabiliriz ve ard\u0131ndan m\u00fczi\u011fin \u00e7e\u015fitli par\u00e7alar\u0131n\u0131 farkl\u0131 yollarla ifade etmek i\u00e7in birle\u015ftirebiliriz; bu ayd\u0131nlatma eylem de\u011fi\u015fikliklerinin farkl\u0131 kombinasyonlar\u0131, ayd\u0131nlatman\u0131n fiziksel olmayan yap\u0131s\u0131n\u0131 olu\u015fturur. Dolay\u0131s\u0131yla, m\u00fczi\u011fin yap\u0131s\u0131n\u0131n \u0131\u015f\u0131\u011f\u0131n yap\u0131s\u0131n\u0131 belirledi\u011fini s\u00f6yleriz, bu da \u0131\u015f\u0131\u011f\u0131n fiziksel olmayan yap\u0131s\u0131d\u0131r.<\/p>\n\n\n\n

M\u00fczikteki parlakl\u0131k, belirli bir enstr\u00fcman\u0131n SOLO'su bir m\u00fczik par\u00e7as\u0131n\u0131n en \u00f6nemli noktas\u0131d\u0131r, efekt ayd\u0131nlatmas\u0131 vurgulanmal\u0131 ve yans\u0131t\u0131lmal\u0131d\u0131r, bu nedenle ayd\u0131nlatma efekti tasar\u0131m\u0131nda, m\u00fczikteki \u00f6zel \u00f6nemli ayr\u0131nt\u0131lara g\u00f6re baz\u0131 \u00f6zel ayd\u0131nlatma eylem de\u011fi\u015fiklikleri d\u00fczenlenmelidir. yans\u0131tmak.<\/p>\n\n\n\n

Sonu\u00e7 olarak, efekt ayd\u0131nlatmas\u0131n\u0131n tasar\u0131m\u0131, m\u00fczi\u011fin atmosferini olu\u015fturmak amac\u0131yla m\u00fczi\u011fe dayanmal\u0131d\u0131r. Bu nedenle, ayd\u0131nlatma tasar\u0131mc\u0131lar\u0131 tatmin edici ayd\u0131nlatma efektleri tasarlamak i\u00e7in m\u00fczi\u011fin yap\u0131s\u0131 ve i\u00e7eri\u011fi hakk\u0131nda derin bir anlay\u0131\u015fa sahip olmal\u0131d\u0131r.<\/p>","protected":false},"excerpt":{"rendered":"

Hayal g\u00fcc\u00fcn\u00fcn temeli m\u00fczik anlay\u0131\u015f\u0131d\u0131r, \u00e7\u00fcnk\u00fc m\u00fczik ayd\u0131nlatma efekti tasar\u0131m\u0131n\u0131n temeli ve amac\u0131d\u0131r, yani ayd\u0131nlatma efektleri m\u00fczik atmosferini daha iyi ortaya koymak ve m\u00fczik konseptini ifade etmek i\u00e7indir.<\/p>","protected":false},"author":1,"featured_media":1172,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"none","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":301,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":""},"categories":[104],"tags":[],"class_list":["post-1168","post","type-post","status-publish","format-standard","has-post-thumbnail","category-blog"],"acf":[],"_links":{"self":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts\/1168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/comments?post=1168"}],"version-history":[{"count":1,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts\/1168\/revisions"}],"predecessor-version":[{"id":1173,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts\/1168\/revisions\/1173"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/media\/1172"}],"wp:attachment":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/media?parent=1168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/categories?post=1168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/tags?post=1168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}