{"id":1168,"date":"2020-11-04T15:47:27","date_gmt":"2020-11-04T07:47:27","guid":{"rendered":"https:\/\/aolait.com\/?p=1168"},"modified":"2020-11-04T15:47:28","modified_gmt":"2020-11-04T07:47:28","slug":"the-skills-of-stage-lighting-and-music","status":"publish","type":"post","link":"https:\/\/aolait.com\/tr\/sahne-isiklandirmasi-ve-muzik-becerileri\/","title":{"rendered":"Sahne \u0131\u015f\u0131kland\u0131rmas\u0131 ve m\u00fczik becerileri"},"content":{"rendered":"

Whether it is a large-scale concert, variety show, or a small-scale music party, the use of lighting effects to render the atmosphere, highlight the concept of music expression, create on-site effects, has an irreplaceable role, and now there are many types of effect lamps, except for traditional bobbin lights and back lights. Lights, spotlights, and effect lights include par lights, color-changing wash lights, moving head lights, sky roses, laser lights, etc. In the face of such a wide variety of lamps, how should lighting designers use them reasonably to express their ideal lighting The effect? The effect of lighting design depends on the designer’s imagination. First of all, it is possible to realize the effect only by thinking of it. The foundation of imagination is the understanding of music, because music is the basis and purpose of lighting effect design, that is, lighting effects are to better set off the music atmosphere and express the music concept, then we will talk about how to use lighting to express and Set off the music.<\/p>\n\n\n\n

\"14322695<\/figure>\n\n\n\n

M\u00fczi\u011fin ruh hali s\u0131cak ve tutkulu m\u00fczik gibi renklere sahip oldu\u011fundan, ayd\u0131nlatma k\u0131rm\u0131z\u0131, sar\u0131 vb. s\u0131cak renkler kullan\u0131rken, min\u00f6r m\u00fczik mavi ve so\u011fuk renkler kullanabilir. Bunu anlamak kolayd\u0131r, yani sanat\u0131n sinestezisi, ayn\u0131 \u015feyin ifadesi, farkl\u0131 sanat kategorileri sadece farkl\u0131 ifadelerdir ve ifade edilen duygular ayn\u0131d\u0131r. M\u00fczi\u011fin ruh halini anlayarak ve kavrayarak, \u00f6nce \u0131\u015f\u0131\u011f\u0131n genel tonunu, ne t\u00fcr bir m\u00fczik ve hangi ton renk \u0131\u015f\u0131\u011f\u0131n\u0131 belirleyebiliriz.<\/p>\n\n\n\n

Buna genellikle \u0131\u015f\u0131k ve m\u00fczi\u011fin birlikte \u00fcretimi diyoruz ama birlikte nas\u0131l \u00e7al\u0131\u015f\u0131yor? \u00d6ncelikle m\u00fczi\u011fin ritminin d\u00f6rt m\u00fc, \u00fc\u00e7 m\u00fc, seksen alt\u0131 m\u0131 vb. oldu\u011funu anlaman\u0131z ve yukar\u0131 vuru\u015f ile a\u015fa\u011f\u0131 vuru\u015fu anlaman\u0131z gerekir. M\u00fczi\u011fin ritmine uymas\u0131 i\u00e7in farkl\u0131 \u0131\u015f\u0131k renkleri ve \u0131\u015f\u0131\u011f\u0131n yo\u011funlu\u011funu kullanabilirsiniz. M\u00fczik h\u0131zl\u0131ysa, \u0131\u015f\u0131\u011f\u0131n her vuru\u015fa uymas\u0131 gerekmez, zay\u0131f vuru\u015flar\u0131 g\u00f6rmezden gelebilir ve yaln\u0131zca g\u00fc\u00e7l\u00fc vuru\u015flar\u0131 yans\u0131tabilirsiniz. M\u00fczi\u011fin geri kalan\u0131 karanl\u0131k alana yans\u0131t\u0131labilir. Notan\u0131n uzunlu\u011fu, yo\u011funlu\u011fu, perdesi ve tonundaki de\u011fi\u015fiklikleri yans\u0131tmak i\u00e7in \u0131\u015f\u0131\u011f\u0131n zaman de\u011ferini, yo\u011funlu\u011funu, rengini ve kategorisini kullanabiliriz.<\/p>\n\n\n\n

\"Aolait
Aolait G\u00f6steri \u00c7antas\u0131<\/figcaption><\/figure>\n\n\n\n

We divide the structure of the light into physical structure and non-physical structure. Lighting designers often divide bobbin lights, return lights, computer lights, and color changing lights into several levels in different combinations to form a three-dimensional lighting effect. This is the light. The physical structure (spatial structure); what is the non-physical structure of light? A piece of music is composed of prelude, interlude, main melody, sub-melody, etc. The lighting is also divided into different parts, combined with different lights, and different forms of changes to reflect different parts of the music. According to the needs of music rhythm and melody, we can first make some action change “tools” for the lighting, and then combine various parts of the music into different ways to express, and the different combinations of these lighting action changes constitute the lighting Non-physical structure. So we say that the structure of music determines the structure of the light is the non-physical structure of the light.<\/p>\n\n\n\n

M\u00fczikteki parlakl\u0131k, belirli bir enstr\u00fcman\u0131n SOLO'su bir m\u00fczik par\u00e7as\u0131n\u0131n en \u00f6nemli noktas\u0131d\u0131r, efekt ayd\u0131nlatmas\u0131 vurgulanmal\u0131 ve yans\u0131t\u0131lmal\u0131d\u0131r, bu nedenle ayd\u0131nlatma efekti tasar\u0131m\u0131nda, m\u00fczikteki \u00f6zel \u00f6nemli ayr\u0131nt\u0131lara g\u00f6re baz\u0131 \u00f6zel ayd\u0131nlatma eylem de\u011fi\u015fiklikleri d\u00fczenlenmelidir. yans\u0131tmak.<\/p>\n\n\n\n

Sonu\u00e7 olarak, efekt ayd\u0131nlatmas\u0131n\u0131n tasar\u0131m\u0131, m\u00fczi\u011fin atmosferini olu\u015fturmak amac\u0131yla m\u00fczi\u011fe dayanmal\u0131d\u0131r. Bu nedenle, ayd\u0131nlatma tasar\u0131mc\u0131lar\u0131 tatmin edici ayd\u0131nlatma efektleri tasarlamak i\u00e7in m\u00fczi\u011fin yap\u0131s\u0131 ve i\u00e7eri\u011fi hakk\u0131nda derin bir anlay\u0131\u015fa sahip olmal\u0131d\u0131r.<\/p>","protected":false},"excerpt":{"rendered":"

Hayal g\u00fcc\u00fcn\u00fcn temeli m\u00fczik anlay\u0131\u015f\u0131d\u0131r, \u00e7\u00fcnk\u00fc m\u00fczik ayd\u0131nlatma efekti tasar\u0131m\u0131n\u0131n temeli ve amac\u0131d\u0131r, yani ayd\u0131nlatma efektleri m\u00fczik atmosferini daha iyi ortaya koymak ve m\u00fczik konseptini ifade etmek i\u00e7indir.<\/p>","protected":false},"author":1,"featured_media":1172,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[104],"tags":[],"class_list":{"0":"post-1168","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-blog"},"acf":[],"_links":{"self":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts\/1168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/comments?post=1168"}],"version-history":[{"count":1,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts\/1168\/revisions"}],"predecessor-version":[{"id":1173,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts\/1168\/revisions\/1173"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/media\/1172"}],"wp:attachment":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/media?parent=1168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/categories?post=1168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/tags?post=1168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}