{"id":1481,"date":"2020-11-06T10:29:17","date_gmt":"2020-11-06T02:29:17","guid":{"rendered":"https:\/\/aolait.com\/?p=1481"},"modified":"2021-12-09T09:46:26","modified_gmt":"2021-12-09T01:46:26","slug":"10-donem-sahne-aydinlatmasi","status":"publish","type":"post","link":"https:\/\/aolait.com\/tr\/10-terms-of-stage-lightings\/","title":{"rendered":"10 Sahne I\u015f\u0131kland\u0131rmas\u0131 \u015eartlar\u0131"},"content":{"rendered":"

Sahne ayd\u0131nlatmas\u0131 pozisyonunun anla\u015f\u0131lmas\u0131, sahne ayd\u0131nlatmas\u0131 yap\u0131land\u0131rmas\u0131n\u0131n her zaman \u00e7ok \u00f6nemli bir par\u00e7as\u0131 olmu\u015ftur. Profesyonel sahne ayd\u0131nlatma efektleri yap\u0131land\u0131rmak istiyorsan\u0131z, a\u015fa\u011f\u0131daki 10 \u0131\u015f\u0131k konumu terimini akl\u0131n\u0131zda tutmal\u0131s\u0131n\u0131z.<\/p>\n\n\n\n

\"\u5fae\u535a\u56fe\u7247<\/figure>\n\n\n\n

1. G\u00f6ky\u00fcz\u00fc ve D\u00fcnya Perde I\u015f\u0131\u011f\u0131<\/h2>\n\n\n\n

<\/p>\n\n\n\n

G\u00f6ky\u00fcz\u00fc perdesinin \u0131\u015f\u0131k ve renk de\u011fi\u015fimleri i\u00e7in kullan\u0131lan bir efekttir. Ayr\u0131ca sahnenin mevsimsel de\u011fi\u015fimleri ve karakterlerin ruh halindeki de\u011fi\u015fimler i\u00e7in de kullan\u0131l\u0131r.<\/p>\n\n\n\n

G\u00f6ky\u00fcz\u00fc perdesinin \u00fcst\u00fcnden ve alt\u0131ndan g\u00f6ky\u00fcz\u00fc perdesine ve arka plana gelen \u0131\u015f\u0131ktan olu\u015fur.<\/p>\n\n\n\n

2. Y\u00fcz \u0131\u015f\u0131\u011f\u0131<\/h2>\n\n\n\n

Bu, t\u00fcm masan\u0131n temel ayd\u0131nlatmas\u0131 ve \u00f6n ayd\u0131nlatmas\u0131 i\u00e7in kullan\u0131lan bir \u0131\u015f\u0131k t\u00fcr\u00fcd\u00fcr. Seyircinin tepesinden sahneye yans\u0131t\u0131lan sahne \u0131\u015f\u0131klar\u0131ndan olu\u015fur.<\/p>\n\n\n\n

3. Yan \u0131\u015f\u0131k <\/h2>\n\n\n\n

Kolon \u0131\u015f\u0131\u011f\u0131 olarak da bilinir: Bu, manzaralara veya karakterlere \u00fc\u00e7 boyutluluk ve kontur hissi eklemek i\u00e7in kullan\u0131lan bir t\u00fcr yan ayd\u0131nlatmad\u0131r. Proscenium'un her iki taraf\u0131na da \u0131\u015f\u0131k projeksiyonu ile olu\u015fur.<\/p>\n\n\n\n

4. K\u00f6pr\u00fc \u0131\u015f\u0131\u011f\u0131<\/h2>\n\n\n\n

Bu, \u00fc\u00e7 boyutlu hissi geli\u015ftirmek i\u00e7in kullan\u0131lan bir \u0131\u015f\u0131k t\u00fcr\u00fcd\u00fcr ve ayr\u0131ca s\u00fctun \u0131\u015f\u0131\u011f\u0131na ve di\u011fer uygunsuz projeksiyon konumlar\u0131na yard\u0131mc\u0131 olabilir. Baz\u0131 tasar\u0131mc\u0131lar bunu \u00f6zel bir \u0131\u015f\u0131k kayna\u011f\u0131 olarak kullan\u0131r. Sahnenin her iki taraf\u0131ndaki \u00fcst ge\u00e7itlerde sahneye d\u00f6k\u00fclen sahne ayd\u0131nlatma \u0131\u015f\u0131nlar\u0131ndan olu\u015fur.<\/p>\n\n\n\n

5. Kulak \u0131\u015f\u0131\u011f\u0131<\/h2>\n\n\n\n

(G\u00fclme, ger\u00e7ekten b\u00f6yle bir ad\u0131 var) Bu, karakterlerin ve manzaralar\u0131n \u00fc\u00e7 boyutlu hissini art\u0131rmak ve y\u00fcz ayd\u0131nlatmas\u0131n\u0131 geli\u015ftirmek i\u00e7in kullan\u0131lan bir t\u00fcr \u0131\u015f\u0131kt\u0131r. Bu, platformun her iki taraf\u0131na \u00e7apraz olarak yans\u0131yan \u00fcst ve alt \u0131\u015f\u0131k katmanlar\u0131ndan olu\u015fur.<\/p>\n\n\n\n

6. Arka \u0131\u015f\u0131k<\/h2>\n\n\n\n

Bu, \u015feffafl\u0131k ve \u00fc\u00e7 boyutluluk hissini art\u0131rmak ve karakterlerin ve sahnenin ana hatlar\u0131n\u0131 \u00e7izmek i\u00e7in kullan\u0131lan bir \u0131\u015f\u0131k t\u00fcr\u00fcd\u00fcr. Baz\u0131 tasar\u0131mc\u0131lar bunu \u00f6zel bir \u0131\u015f\u0131k kayna\u011f\u0131 olarak kullan\u0131r. Sahnenin ters y\u00f6n\u00fcnde yans\u0131t\u0131lan \u0131\u015f\u0131ktan olu\u015fur.<\/p>\n\n\n\n

7. \u00dcst \u0131\u015f\u0131k<\/h2>\n\n\n\n

Bu, sahne ayd\u0131nlatmas\u0131n\u0131 art\u0131rmak i\u00e7in genel sahne ayd\u0131nlatmas\u0131 i\u00e7in kullan\u0131lan bir \u0131\u015f\u0131kt\u0131r. Manzara ve sahne aksesuarlar\u0131n\u0131n bir\u00e7ok sabit nokta ayd\u0131nlatmas\u0131 vard\u0131r ve bu genellikle \u00fcst \u0131\u015f\u0131k ile \u00e7\u00f6z\u00fcl\u00fcr. Sahnedeki ayd\u0131nlatma, sahneden sahneye yukar\u0131dan gelen \u0131\u015f\u0131k ile olu\u015fur. \u00d6n k\u0131s\u0131mdan arka k\u0131sma do\u011fru; bir s\u0131ra \u00fcst \u0131\u015f\u0131k, iki s\u0131ra \u00fcst \u0131\u015f\u0131k ve \u00fc\u00e7 s\u0131ra \u00fcst \u0131\u015f\u0131k olarak ayr\u0131l\u0131r\u2026\u2026.<\/p>\n\n\n\n

8. Ayak \u0131\u015f\u0131\u011f\u0131<\/h2>\n\n\n\n

Bu, y\u00fcz \u0131\u015f\u0131\u011f\u0131 ve di\u011fer y\u00fcksek pozisyonlar taraf\u0131ndan ayd\u0131nlat\u0131lan ki\u015finin y\u00fcz\u00fcndeki ve \u00e7enesindeki g\u00f6lgeleri ortadan kald\u0131rmak ve y\u00fcz \u0131\u015f\u0131g\u0131 ayd\u0131nlatmas\u0131na yard\u0131mc\u0131 olmak i\u00e7in kullan\u0131lan bir \u0131\u015f\u0131kt\u0131r. Bu, sahne \u00f6n\u00fcndeki platformdan sahneye projeksiyon yapan \u0131\u015f\u0131k ile olu\u015fur.<\/p>\n\n\n\n

9. Akan \u0131\u015f\u0131k<\/h2>\n\n\n\n

Sahnenin her iki taraf\u0131ndaki \u0131\u015f\u0131\u011f\u0131 veya di\u011fer \u00f6zel \u0131\u015f\u0131\u011f\u0131 ve yard\u0131mc\u0131 k\u00f6pr\u00fc \u0131\u015f\u0131\u011f\u0131n\u0131 desteklemek i\u00e7in kullan\u0131lan bir \u0131\u015f\u0131kt\u0131r. Sahnenin her iki yan\u0131ndaki hareketli \u0131\u015f\u0131k standlar\u0131 \u00fczerindeki sahne \u0131\u015f\u0131k \u0131\u015f\u0131nlar\u0131ndan olu\u015fur.<\/p>\n\n\n\n

10. Takip noktas\u0131 \u0131\u015f\u0131\u011f\u0131<\/h2>\n\n\n\n

Bu, bir oyuncunun performans\u0131n\u0131 izlemek veya belirli bir \u0131\u015f\u0131\u011f\u0131 vurgulamak i\u00e7in kullan\u0131l\u0131r ve sunucu taraf\u0131ndan da kullan\u0131l\u0131r. Sahne sanat\u0131n\u0131n yak\u0131n \u00e7ekim kalemidir ve son dokunu\u015f rol\u00fcn\u00fc oynar. Oditoryumdan veya di\u011fer yerlerden ihtiya\u00e7 duyulan bir \u0131\u015f\u0131k alan\u0131d\u0131r.<\/p>","protected":false},"excerpt":{"rendered":"

Profesyonel sahne ayd\u0131nlatma efektleri yap\u0131land\u0131rmak istiyorsan\u0131z, a\u015fa\u011f\u0131daki 10 \u0131\u015f\u0131k konumu terimini akl\u0131n\u0131zda tutmal\u0131s\u0131n\u0131z.<\/p>","protected":false},"author":1,"featured_media":1483,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"none","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":301,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":""},"categories":[104],"tags":[],"class_list":["post-1481","post","type-post","status-publish","format-standard","has-post-thumbnail","category-blog"],"acf":[],"_links":{"self":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts\/1481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/comments?post=1481"}],"version-history":[{"count":3,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts\/1481\/revisions"}],"predecessor-version":[{"id":2786,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts\/1481\/revisions\/2786"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/media\/1483"}],"wp:attachment":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/media?parent=1481"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/categories?post=1481"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/tags?post=1481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}