{"id":1481,"date":"2020-11-06T10:29:17","date_gmt":"2020-11-06T02:29:17","guid":{"rendered":"https:\/\/aolait.com\/?p=1481"},"modified":"2021-12-09T09:46:26","modified_gmt":"2021-12-09T01:46:26","slug":"10-terms-of-stage-lightings","status":"publish","type":"post","link":"https:\/\/aolait.com\/tr\/10-donem-sahne-aydinlatmasi\/","title":{"rendered":"10 Sahne I\u015f\u0131kland\u0131rmas\u0131 \u015eartlar\u0131"},"content":{"rendered":"

Sahne ayd\u0131nlatmas\u0131 pozisyonunun anla\u015f\u0131lmas\u0131, sahne ayd\u0131nlatmas\u0131 yap\u0131land\u0131rmas\u0131n\u0131n her zaman \u00e7ok \u00f6nemli bir par\u00e7as\u0131 olmu\u015ftur. Profesyonel sahne ayd\u0131nlatma efektleri yap\u0131land\u0131rmak istiyorsan\u0131z, a\u015fa\u011f\u0131daki 10 \u0131\u015f\u0131k konumu terimini akl\u0131n\u0131zda tutmal\u0131s\u0131n\u0131z.<\/p>\n\n\n\n

\"\u5fae\u4fe1\u56fe\u7247<\/figure>\n\n\n\n

1. G\u00f6ky\u00fcz\u00fc ve D\u00fcnya Perde I\u015f\u0131\u011f\u0131<\/h2>\n\n\n\n

<\/p>\n\n\n\n

G\u00f6ky\u00fcz\u00fc perdesinin \u0131\u015f\u0131k ve renk de\u011fi\u015fimleri i\u00e7in kullan\u0131lan bir efekttir. Ayr\u0131ca sahnenin mevsimsel de\u011fi\u015fimleri ve karakterlerin ruh halindeki de\u011fi\u015fimler i\u00e7in de kullan\u0131l\u0131r.<\/p>\n\n\n\n

G\u00f6ky\u00fcz\u00fc perdesinin \u00fcst\u00fcnden ve alt\u0131ndan g\u00f6ky\u00fcz\u00fc perdesine ve arka plana gelen \u0131\u015f\u0131ktan olu\u015fur.<\/p>\n\n\n\n

2. Y\u00fcz \u0131\u015f\u0131\u011f\u0131<\/h2>\n\n\n\n

Bu, t\u00fcm masan\u0131n temel ayd\u0131nlatmas\u0131 ve \u00f6n ayd\u0131nlatmas\u0131 i\u00e7in kullan\u0131lan bir \u0131\u015f\u0131k t\u00fcr\u00fcd\u00fcr. Seyircinin tepesinden sahneye yans\u0131t\u0131lan sahne \u0131\u015f\u0131klar\u0131ndan olu\u015fur.<\/p>\n\n\n\n

3. Yan \u0131\u015f\u0131k <\/h2>\n\n\n\n

It’s also known as column light: This is a kind of left and right side lighting used to add a sense of three-dimensionality and a sense of contour to scenery or characters. It is composed of light projected on both sides of the proscenium.<\/p>\n\n\n\n

4. K\u00f6pr\u00fc \u0131\u015f\u0131\u011f\u0131<\/h2>\n\n\n\n

Bu, \u00fc\u00e7 boyutlu hissi geli\u015ftirmek i\u00e7in kullan\u0131lan bir \u0131\u015f\u0131k t\u00fcr\u00fcd\u00fcr ve ayr\u0131ca s\u00fctun \u0131\u015f\u0131\u011f\u0131na ve di\u011fer uygunsuz projeksiyon konumlar\u0131na yard\u0131mc\u0131 olabilir. Baz\u0131 tasar\u0131mc\u0131lar bunu \u00f6zel bir \u0131\u015f\u0131k kayna\u011f\u0131 olarak kullan\u0131r. Sahnenin her iki taraf\u0131ndaki \u00fcst ge\u00e7itlerde sahneye d\u00f6k\u00fclen sahne ayd\u0131nlatma \u0131\u015f\u0131nlar\u0131ndan olu\u015fur.<\/p>\n\n\n\n

5. Kulak \u0131\u015f\u0131\u011f\u0131<\/h2>\n\n\n\n

(Don’t laugh, it’s the name indeed) This is a kind of light used to enhance the three-dimensional sense of characters and scenery and enhance facial lighting. It is composed of upper and lower layers of light that are diagonally cast on the stage on both sides of the platform.<\/p>\n\n\n\n

6. Arka \u0131\u015f\u0131k<\/h2>\n\n\n\n

Bu, \u015feffafl\u0131k ve \u00fc\u00e7 boyutluluk hissini art\u0131rmak ve karakterlerin ve sahnenin ana hatlar\u0131n\u0131 \u00e7izmek i\u00e7in kullan\u0131lan bir \u0131\u015f\u0131k t\u00fcr\u00fcd\u00fcr. Baz\u0131 tasar\u0131mc\u0131lar bunu \u00f6zel bir \u0131\u015f\u0131k kayna\u011f\u0131 olarak kullan\u0131r. Sahnenin ters y\u00f6n\u00fcnde yans\u0131t\u0131lan \u0131\u015f\u0131ktan olu\u015fur.<\/p>\n\n\n\n

7. \u00dcst \u0131\u015f\u0131k<\/h2>\n\n\n\n

This is a light used for general stage lighting to enhance stage illuminance. There are many fixed-point illuminations of scenery and props, which are mainly solved by top light. It is composed of the stage lighting light from above the stage to the stage. From front to back, it is divided into one row of top lights, two rows of top lights, and three rows of top lights…….<\/p>\n\n\n\n

8. Ayak \u0131\u015f\u0131\u011f\u0131<\/h2>\n\n\n\n

This is a light used to eliminate the shadows formed by the face and jaw of the person’s face and chin that are irradiated by the face light and other high positions, and to assist the face light illumination. It is composed of light projected onto the stage from the platform in front of the stage.<\/p>\n\n\n\n

9. Akan \u0131\u015f\u0131k<\/h2>\n\n\n\n

Sahnenin her iki taraf\u0131ndaki \u0131\u015f\u0131\u011f\u0131 veya di\u011fer \u00f6zel \u0131\u015f\u0131\u011f\u0131 ve yard\u0131mc\u0131 k\u00f6pr\u00fc \u0131\u015f\u0131\u011f\u0131n\u0131 desteklemek i\u00e7in kullan\u0131lan bir \u0131\u015f\u0131kt\u0131r. Sahnenin her iki yan\u0131ndaki hareketli \u0131\u015f\u0131k standlar\u0131 \u00fczerindeki sahne \u0131\u015f\u0131k \u0131\u015f\u0131nlar\u0131ndan olu\u015fur.<\/p>\n\n\n\n

10. Takip noktas\u0131 \u0131\u015f\u0131\u011f\u0131<\/h2>\n\n\n\n

Bu, bir oyuncunun performans\u0131n\u0131 izlemek veya belirli bir \u0131\u015f\u0131\u011f\u0131 vurgulamak i\u00e7in kullan\u0131l\u0131r ve sunucu taraf\u0131ndan da kullan\u0131l\u0131r. Sahne sanat\u0131n\u0131n yak\u0131n \u00e7ekim kalemidir ve son dokunu\u015f rol\u00fcn\u00fc oynar. Oditoryumdan veya di\u011fer yerlerden ihtiya\u00e7 duyulan bir \u0131\u015f\u0131k alan\u0131d\u0131r.<\/p>","protected":false},"excerpt":{"rendered":"

Profesyonel sahne ayd\u0131nlatma efektleri yap\u0131land\u0131rmak istiyorsan\u0131z, a\u015fa\u011f\u0131daki 10 \u0131\u015f\u0131k konumu terimini akl\u0131n\u0131zda tutmal\u0131s\u0131n\u0131z.<\/p>","protected":false},"author":1,"featured_media":1483,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[104],"tags":[],"class_list":{"0":"post-1481","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-blog"},"acf":[],"_links":{"self":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts\/1481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/comments?post=1481"}],"version-history":[{"count":3,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts\/1481\/revisions"}],"predecessor-version":[{"id":2786,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/posts\/1481\/revisions\/2786"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/media\/1483"}],"wp:attachment":[{"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/media?parent=1481"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/categories?post=1481"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aolait.com\/tr\/wp-json\/wp\/v2\/tags?post=1481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}