Tiktok “One Thousand and One Nights” is an annual entertainment festival jointly created by Tiktok and JS Satellite TV. With the main concept of “Human Fireworks + Fantasy Technology”, with diversified programs such as amateurs and stars, it presents a wonderful visual feast for the audience.
The party was led by Wang Sing as the chief producer, Jiang as the chief director, Tang Yan as the art director, LEE as the director, Jin Shaogang as the sound director, and Dave White as the lighting design.
The stage design of the party is centered on Tiktok’s LOGO. The ground stage design cleverly disassembles the Tiktok’s logo and uses the most basic geometric shapes in the physical world to combine triangles, squares, and circles to form a multi-stage ground pattern, rich At the same time as the level of program creation, it is also consistent with the Tiktok LOGO. The combination of classic elements and modern graphics makes the show of stage beauty more profound.
In order to echo the ground stage modeling form, Tiktok “One Thousand and One Nights” also set the scene to the sky and made the same geometric shape above the stage.
![微信图片 20201103111742](https://aolait.com/wp-content/uploads/2020/11/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20201103111742-1024x768.jpg)
Designed to echo the ground dance lighting
For Sangong, the stage lighting task is arduous, and it needs to complete dimming and editing Cue within 5 days. The debugging and creation of nearly 4 hours of live broadcast, more than 40 programs, and more than 2,000 lights need to race against time to complete.
In the early stage of design, the first consideration of lighting is how to use light to light up the stage, render the stage style, and highlight the stage shape. At the same time, the people-oriented design of Cue is used to convey the emotion that each show wants to express through light Audience.
The design of the stage this time reserved ample creative space for the lighting. At the beginning of the design, the lighting considered a variety of design forms that use space. In the end, it was decided to use 9 lighthouses to support and connect the world to the stage. Highlights.
This time, the 9 lighthouses reflect each other, completing various shapes in the air according to the needs of the program. The nine lighthouses are varied and composed of several kinds of lamps. Each light fixture uses the lighthouse structure, which runs through from bottom to top.
There are 378 Aolait strobe lights installed in 9 light towers, which perform different functions according to the needs of songs.
Design of the stage
![微信图片 20201103112747](https://aolait.com/wp-content/uploads/2020/11/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20201103112747-1024x706.jpg)
Relying on the design of the stage design, the lighting design also considered the level of scenery when editing the cue. When the 9 lighthouses are hung high in the sky, the light uses the beam effect to reverse lighting, and the beam + choreography shapes the palace effect. Lighting styling and scenery making are derived to the top of the stage.
![微信图片 20201103111915](https://aolait.com/wp-content/uploads/2020/11/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20201103111915-1024x683.jpg)
Compared with previous years, the number of spectators this year is relatively small. In order to make up for this, many led moving heads were installed in the auditorium. In addition, the lighting also uses various methods to make up for the too empty situation of the venue, such as the use of Aolait beam lights and prisms to create some patterns in the auditorium or stage background.